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• Sales Rank: #399949 in Books
• Published on: 2016-01-04
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 1.23" w x 7.50" l, 2.04 pounds
• Binding: Paperback
• 544 pages

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Find Out What They Didn't Teach You in Art School

The most comprehensive guide of its kind, Art/Work gives artists of every level the tools they need to make it in an art world so competitive one dealer likens it to "The Sopranos, except nobody gets killed." Whether you're an art school grad looking for a gallery, a mid-career artist managing a busy studio, or someone just thinking about becoming a professional artist, this indispensable resource will help you build your career and protect yourself along the way.

Unlike other creative professionals, visual artists don't have agents or managers. You have to do it all yourself, at least until you find gallery representation -- and even then, there are important business and legal issues you need to understand to stay in control of your career and ensure you're being treated fairly. Heather Darcy Bhandari, a gallery director, and Jonathan Melber, an arts lawyer, walk you through these issues so that you can essentially act as your own manager and agent. They show you, for example, how to tackle business basics such as tracking inventory and preparing invoices; how to take legal precautions like registering a copyright and drafting consignment forms; how to use promotional tools like websites and business cards; and how to approach career decisions such as choosing the right venue to show your work.

In addition to drawing on their own experiences, Bhandari and Melber interviewed nearly one hundred curators, dealers, and other arts professionals, in cities across the country, about what they expect from and look for in artists. The authors also talked to a host of artists about their careers and the lessons they've learned navigating the art world. The book is full of their entertaining anecdotes and candid advice.

No matter what kind of artist you are -- or want to be -- this book will help you. Art/Work covers everything you need to know to succeed, saving you from having to learn it all the hard way -- and letting you spend more time making art.

• Sales Rank: #15251 in Books
• Brand: Free Press
• Published on: 2009-03-24
• Released on: 2009-03-24
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .70" w x 7.37" l, 1.14 pounds
• Binding: Paperback
• 304 pages

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Review
"This book is a godsend...it should be required reading in fine arts curricula." -- Santa Fe New Mexican

"I'll bet this powerful little paperback finds a permanent home on the list of best business books for artists.... The contract, invoice and inventory templates alone are worth the cover price." -- The Artist's Magazine

"Together [the authors] make for a powerful combo, offering both extensive knowledge of the gallery system and the ins and outs of art law, for some well-founded tips on how to succeed in the art world...it's the perfect gift for anyone working in a creative field." -- CoolHunting.com

"This book is filled with the kind of nuts-and-bolts business advice every artist needs to read." -- ArtBistro.com

"Bhandari and Melber, both Brown University graduates, have drawn on their own experiences and interviews with 100 curators, dealers, and other arts professionals to offer advice on everything from preparing artwork for shipping to coping with rejection." -- Boston Globe

"Emerging curators, along with established curators who work with living artists, would do well to read it, as would art dealers and workers at nonprofit spaces or organizations.... One unique aspect of the book is the quotes in the margin -- from high-profile artists and well-known professionals who've been around the block. Shamim Momin from the Whitney Museum and Peter Eleey of the Walker Art Center talk about how they meet new artists and visit their studios, and Seattle gallerist James Harris underscores the importance artists' websites have when he looks for new work to show." -- College Art Association News

"...even those who have no interest in the art world may find Art/Work of use. Their instructions on how to pack objects for example, are so thorough, only the most dexterously challenged will find difficulty executing them. What's more, should this book reach the majority of working artists today, the quality of gallery staff life would improve by a level of magnitude..." -- Paddy Johnson for The L Magazine

About the Author
Heather Darcy Bhandari is a director of Mixed Greens Gallery in New York City. She has curated over 40 exhibitions at Mixed Greens while managing and advising a roster of nearly two-dozen artists. She also regularly curates independent shows. Heather lectures at career-development programs at The School of the Art Institute of Chicago, Rhode Island School of Design, Georgia State University and Hunter College. Jonathan Melber is a litigator at a prominent arts-and-entertainment law firm. He represents artists, galleries and collectors, as well as a host of creative individuals and companies in the entertainment world.

Excerpt. © Reprinted by permission. All rights reserved.
Art/Work CHAPTER 1 ———— The Big Picture

Most helpful customer reviews

87 of 90 people found the following review helpful.
Definitive Resource for Artists and Art Professionals!
By Shaun Irving
I'm an emerging artist who's been shooting for the past couple of years. I've done some shows in the non-profit realm, but only in the past few months have I been actively trying to figure out the ins and outs of the gallery scene.

For months now, I've been scrounging for the most basic information: How do for-profit galleries operate? What kind of contractual/financial obligations are required? How do you properly document your work? I've gone to workshops, interviewed artists, and dug through a lot of junk on the internet...

Only to find that everything I needed (and lots more) was in this book.

This is the definitive how-to book on running a fine art business (from the artist's side), specifically in regards to working with galleries. They don't offer any secret formulas for success, but instead dish out best practices for presenting yourself as professionally as possible.

What amazed me most was the depth of subject matter this book covers. It offers everything from sample legal forms to explicit instructions on how to pack your work for shipment. They use a very open and honest writing style throughout. Instead of coming across as preachy or snobbish, the authors sound more like a good friend letting you in on the secrets of the industry.

An interesting device they use throughout is to include relevant quotes from art professionals on almost every spread. These tie in directly with the subject matter of each section and represent the perspectives of artists, curators and gallery owners. It's one thing for the author to say what he or she thinks, but another thing when you get other voices add to the mix.

My only complaint about the book is a very minor one. While the book is striking in its design, I question the use of a bold sans serif for the body text throughout the book. There's enough white space and leading to make it work, but it seems a choice of aesthetics over practicality.

I don't often get this jazzed about books (especially not over a how-to manual). But I've seen firsthand what a lack of comprehensive resources there are for artists trying to figure out the how's and what's of the art world. This book does a magnificent job of filling that void and I'd recommend it to any artist who's trying to get established.

55 of 57 people found the following review helpful.
Useful but don't make this your only resource
By Heather Leigh
This book is a useful resource because of its simplicity. It's easy to flip back and forth to find templates for things like consignment agreements and the like. I would agree with another reviewer, however, that the book is biased having been written by young gallerists working in New York for only the past decade or so.

It offers a picture of the way galleries on the East Coast function at the moment. This is evident in the many quotes along the margins by few artists but more often gallery owners. I found some of these comments to reveal a disparaging - even snotty - tone about working with artists, despite the fact that artists are the people who create the work keeping them in business. It is helpful to know that these attitudes exist because you may have to face them in your career.

Look for other more encouraging resources in addition to this book. I recently picked up "How to Survive and Prosper as an Artist: Selling Yourself Without Selling Out." In tone, this is a much more empowering book and it has a great many more resources contained within its pages and appendices. The author, Caroll Michels has been working with artists throughout the country (not just in the distorted East Coast art scene) since the 1970s. The book has been through several editions and has clearly been updated and expanded to reflect the changes to the art world. In that sense, a greater depth and breadth of experience is brought to bear on the topic.
How to Survive and Prosper as an Artist: Selling Yourself Without Selling Your Soul

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
Awesome book! I can't wait to read more of it :)

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How did realist fiction alter in the effort to craft forms and genres receptive to the dynamism of an expanding empire and globalizing world? Do these nineteenth-century variations on the "geopolitical aesthetic" continue to resonate today? Crossing literary criticism, political theory, and longue duree history, The Victorian Geopolitical Aesthetic explores these questions from the standpoint of mid-nineteenth-century novelists such as Wilkie Collins, George Eliot, Gustave Flaubert, and Anthony Trollope as well as successors including E. M. Forster and the creators of recent television serials. By looking at the category of "sovereignty" at multiple scales and in diverse formal, geographic, and historical contexts, Lauren M. E. Goodlad shows that the ideological crucible for "high" realism was not a hegemonic liberalism. It was, rather, a clash of modern liberal ideals struggling to distintricate themselves from a powerful conservative vision of empire while striving to negotiate the inequalities of power along lines of race, gender, nationality, and ethnicity which a supposedly universalistic liberalism had helped to generate.

The material occasion for the mid-Victorian era's rich realist experiments was, thus, the transition from an informal empire of trade that could be celebrated as "liberal" to a neo-feudal imperialism that only Tories could warmly embrace. In this way the book places realism's "geopolitical aesthetic" at the heart of recurring modern experiences of breached sovereignty, forgotten history, and subjective exile. The Coda, titled "The Way We Historicize Now", concludes the book with connections to recent debates about "surface reading", "distant reading" and the hermeneutics of suspicion.

• Sales Rank: #3168939 in Books
• Published on: 2015-03-29
• Original language: English
• Number of items: 1
• Dimensions: 6.40" h x 1.20" w x 9.30" l, 1.72 pounds
• Binding: Hardcover
• 320 pages

Review

"The Victorian Geopolitical Aesthetic is an important and exciting addition to our understanding of the global character and transnational contexts of nineteenth-century literature. Lauren M. E. Goodlad's new study traverses and integrates ongoing conversations on literary form, political theory and cultural analysis to show how nineteenth-century realism grappled with capitalist globalization." --Dickens Quarterly

"Lauren Goodlad's work shows how archives change when we think in terms of the global.... Goodlad also makes newly vital to the field texts that have been historically understudied or recently neglected.... Her brilliant analysis of the Mad Men episode 'The Wheel' [demonstrates] the show's surprising, revelatory investments in Victorian concerns and aesthetics.... Goodlad's work also demonstrates that one of the most valuable aspects of a geographically expansive conception of Victorian studies is the imperative for scholars to address themselves not only to the world outside Britain but to fields and disciplines outside our own." --Victorian Literature & Culture

"The Victorian Geopolitical Aesthetic brilliantly demonstrates that Victorian fiction articulated a sophisticated awareness of the world historical processes of capitalist expansion. With its masterful integration of social and political theory, Victorian politics, feminist theory, and ethics, this book will put Goodlad at the center of debates about Victorian realism, cultural politics, liberalism, and the relation between social theory and literary form." --John Kucich, co-editor of The Oxford History of the Novel in English, Volume 3: The Nineteenth-Century Novel 1820-1880

"The Victorian Geopolitical Aesthetic enriches our view of Victorian realism by challenging the notion that the British novel becomes a stagnant backwater, cut off from history. Those who concern themselves with closing the gap between literary structure and cultural analysis will want to read this lucid, cogent, and illuminating book." --Harry E. Shaw, author of Narrating Reality: Austen, Scott, Eliot

About the Author

Lauren M. E. Goodlad is the Kathryn Paul Professorial of English and Criticism & Interpretive Theory at the University of Illinois, Urbana. She is the author of Victorian Literature and the Victorian State: Character and Governance in a Liberal Society as well as the co-editor of several books and special issues including Mad Men, Mad World: Sex, Politics Style and the 1960s and The Ends of History, a special issue of Victorian Studies. Her articles have appeared in journals including American Literary History, ELH, MLQ, Novel: A Forum on Fiction and PMLA.

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The Monocle Travel Guide series reveals our favourite places in each city we cover, from the ideal route for an early-morning run and the best spots for independent retail to detailed design and architecture pages and neighbourhood walks to get you away from the crowds.

• Sales Rank: #211744 in Books
• Published on: 2016-06-06
• Released on: 2016-06-06
• Original language: English
• Dimensions: 8.50" h x 5.75" w x .75" l, .69 pounds
• Binding: Hardcover
• 148 pages

Most helpful customer reviews

0 of 3 people found the following review helpful.
Monocle Vienna's Whitewashed Take on History
By Gabe Lemkin
A study in how to rewrite history, Monocle's Vienna includes a wide variety of essays on the city's history including some very major gaps. Marie-Sophie Schwarzer's laughable history of the city suggests Vienna attacked an "influx of people from different backgrounds" but notes the "tide turned during the Second World War." (Yup that's it on WW2, which is presented as a passing hiccup).Now though she affirms the city is a "magnet for immigrants from all corners of the world." What's missing? Just the fact that of Vienna's 200,000 Jews all but 2,000 were murdered in the Holocaust. Plus the fact that Vienna became a cosmopolitan cultural center largely thanks to those Jews (Freud to Mahler on down). You can try to write Jews out of history. But if you do you erase the driving force of Vienna's golden age, and the horror of its downfall.

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A collection of pieces from the Baroque music period arranged for marimba solo.

• Sales Rank: #170600 in Books
• Brand: Alfred Publishing Company
• Model: 00-PROBK01202
• Published on: 1985-03-01
• Original language: English
• Number of items: 1
• Dimensions: 11.50" h x 8.75" w x .25" l, .30 pounds
• Binding: Paperback
• 32 pages

Features

• Works of Bach, Handel, Telemann, Mozart, and Corelli

Most helpful customer reviews

5 of 5 people found the following review helpful.
Superb Introduction to Solo Playing - ANY INSTRUMENT!
By Alan S. Mathias
I first got this book (in 1971!) as a percussionist and worked through the solos on the vibes. It stimulated me to explore more on Bach, Handel, Telemann. When I started classical guitar (1973) it was perfect for getting me to traverse the fingerboard. I ignored the percussion notation (sticking, etc.) and added string, fret and finger notation. Later (1974), I studied flute and used the collection again ignoring the percussion and guitar notation and built a decent flute technique. Now that I am studying violin and tenor recorder, I couldn't ask for a better collection. I bought a new copy through Amazon so that I start again with adding violin notation - there was no room to add anything in my first copy which I have owned for 41 years...

1 of 1 people found the following review helpful.
Good Music Book
By Thomas Baptist
Needed for solo competition. Had the music needed. Shipment was very fast. Got here faster than estimated. etc, etc,etc. Had to do that to reach the minimum number of words.

0 of 0 people found the following review helpful.
Four Stars
By Cody
A really fun book that I can spend hours playing with.

See all 4 customer reviews...

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[V166.Ebook] Free PDF Mom & Me & Mom, by Maya Angelou

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NEW YORK TIMES BESTSELLER • Book club pick for Emma Watson’s Our Shared Shelf • A moving memoir about the legendary author’s relationship with her mother

The story of Maya Angelou’s extraordinary life has been chronicled in her multiple bestselling autobiographies. But now, at last, the legendary author shares the deepest personal story of her life: her relationship with her mother.
 
For the first time, Angelou reveals the triumphs and struggles of being the daughter of Vivian Baxter, an indomitable spirit whose petite size belied her larger-than-life presence—a presence absent during much of Angelou’s early life. When her marriage began to crumble, Vivian famously sent three-year-old Maya and her older brother away from their California home to live with their grandmother in Stamps, Arkansas. The subsequent feelings of abandonment stayed with Angelou for years, but their reunion, a decade later, began a story that has never before been told. In Mom & Me & Mom, Angelou dramatizes her years reconciling with the mother she preferred to simply call “Lady,” revealing the profound moments that shifted the balance of love and respect between them.
 
Delving into one of her life’s most rich, rewarding, and fraught relationships, Mom & Me & Mom explores the healing and love that evolved between the two women over the course of their lives, the love that fostered Maya Angelou’s rise from immeasurable depths to reach impossible heights.

Praise for Mom & Me & Mom
 
“Mom & Me & Mom is delivered with Angelou’s trademark good humor and fierce optimism. If any resentments linger between these lines, if lives are partially revealed without all the bitter details exposed, well, that is part of Angelou’s forgiving design. As an account of reconciliation, this little book is just revealing enough, and pretty irresistible.”—The Washington Post
 
“Moving . . . a remarkable portrait of two courageous souls.”—People

“[The] latest, and most potent, of her serial autobiographies . . . [a] tough-minded, tenderhearted addition to Angelou’s spectacular canon.”—Elle
 
“Mesmerizing . . . Angelou has a way with words that can still dazzle us, and with her mother as a subject, Angelou has a near-perfect muse and mystery woman.”—Essence
 
“True to her style, [Angelou’s] writing cuts to the chase with compression and simplicity, and there in the background is a calypso smoothness, flurries and showers of musicality between the moments of wickedness. . . . A tightly strung, finely tuned memoir about life with her mother.”—Kirkus Reviews
 
“In this loving recollection of a complicated relationship, Angelou for the first time details the mother-daughter journey to reconciliation and unwavering connection and support. . . . Angelou vividly portrays a spirited woman. . . . [A] remarkable and deeply revealing chronicle of love and healing.”—Booklist
 
“Written with her customary eloquence . . . follows in the episodic style of Angelou’s earlier volumes of autobiography, pulling the reader along effortlessly. The lessons and the love presented here will speak to those trying to make their way in the world.”—Publishers Weekly

“In straightforward style, Mom & Me & Mom dives deeply into Angelou’s complicated relationship with her mother. . . . At 84, Angelou shows few signs of slowing down.”—BookPage

• Sales Rank: #8557 in Books
• Published on: 2013-04-02
• Released on: 2013-04-02
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x .94" w x 5.38" l, .77 pounds
• Binding: Hardcover
• 224 pages

From Booklist
Angelou’s highly acclaimed autobiography, I Know Why the Caged Bird Sings (1969), chronicles her growing up in Stamps, Arkansas, with her paternal grandmother and the trauma that resulted from a visit to her mother’s family. In this loving recollection of a complicated relationship, Angelou for the first time details the mother-daughter journey to reconciliation and unwavering connection and support. After their reunion in San Francisco, angry and resentful at what she viewed as the abandonment of her and her brother, Angelou took years to warm to her mother, Vivian Baxter, calling her Lady rather than Mother. But Baxter’s unconditional acceptance and appreciation of her daughter, through unwed motherhood, a failed marriage, and career ups and downs, won Angelou’s love and respect. Angelou vividly portrays a spirited woman, unbowed by the limitations of race and sex, who ran a boardinghouse and gambling house and taught her daughter the determination, street smarts, and survival skills that have helped Angelou carve a space for her identity and formidable talents. Photos enhance this remarkable and deeply revealing chronicle of love and healing. HIGH-DEMAND BACKSTORY: The celebrated author gives the backstory on I Know Why the Caged Bird Sings (1969) in this revealing look at her relationship with her mother, which is sure to receive a tsunami’s worth of publicity. --Vanessa Bush

Review
Praise for Mom & Me & Mom
 
“Mom & Me & Mom is delivered with Angelou’s trademark good humor and fierce optimism. If any resentments linger between these lines, if lives are partially revealed without all the bitter details exposed, well, that is part of Angelou’s forgiving design. As an account of reconciliation, this little book is just revealing enough, and pretty irresistible.”—The Washington Post
 
“Moving . . . a remarkable portrait of two courageous souls.”—People
 
“[The] latest, and most potent, of her serial autobiographies . . . [a] tough-minded, tenderhearted addition to Angelou’s spectacular canon.”—Elle
 
“Mesmerizing . . . Angelou has a way with words that can still dazzle us, and with her mother as a subject, Angelou has a near-perfect muse and mystery woman.”—Essence
 
“True to her style, [Angelou’s] writing cuts to the chase with compression and simplicity, and there in the background is a calypso smoothness, flurries and showers of musicality between the moments of wickedness. . . . A tightly strung, finely tuned memoir about life with her mother.”—Kirkus Reviews
 
“In this loving recollection of a complicated relationship, Angelou for the first time details the mother-daughter journey to reconciliation and unwavering connection and support. . . . Angelou vividly portrays a spirited woman. . . . [A] remarkable and deeply revealing chronicle of love and healing.”—Booklist
 
“Written with her customary eloquence . . . follows in the episodic style of Angelou’s earlier volumes of autobiography, pulling the reader along effortlessly. The lessons and the love presented here will speak to those trying to make their way in the world.”—Publishers Weekly
 
“In straightforward style, Mom & Me & Mom dives deeply into Angelou’s complicated relationship with her mother. . . . At 84, Angelou shows few signs of slowing down.”—BookPage

About the Author
Maya Angelou was raised in Stamps, Arkansas. In addition to her bestselling autobiographies, including I Know Why the Caged Bird Sings and The Heart of a Woman, she wrote numerous volumes of poetry, among them Phenomenal Woman, And Still I Rise, On the Pulse of Morning, and Mother. Maya Angelou died in 2014.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I have had the great honor of having seen Maya Angelou speak twice before ...
By L. A. Vitale
I've been a huge fan of Maya Angelou for decades now. I have had the great honor of having seen Maya Angelou speak twice before a live audience... She was a phenomenal speaker!!

I recently read the hardback edition of Mom & Me & Mom by Maya Angelou. This book captured my interested due to the unique relationship between mothers and daughters and also because, I wanted to learn more about the relationship Maya Angelou had with her mother.

I thought Mom & Me & Mom by Maya Angelou was overall a good read and would recommend this book to others. My only major complaint is that many of the life events that Maya Angelou discusses in this particular book have also been discussed in her other books. So, I only learned a few new things about her life that I didn't know before, which was disappointing to me as I wasn't expecting so much of Mom & Me & Mom to be a rehash of what I'd already read in her other books.

3 of 3 people found the following review helpful.
All mothers deserve a thank you
By C. J. Everett
Expected a lot more from Ms. Angelou, but this is not "I Know Why a Caged Bird Sings." If you've read any of her other books, in "Mom" you'll come across similar passages. It's a simple tribute to her mother, written in simple declarative sentences. I got the feeling she wrote it because she felt she owed her mother a 'thank you.' All mothers deserve a thank you. It's clear that her mother's love and support enabled Ms. Angelou to share her talents with the world.

3 of 3 people found the following review helpful.
Not quite what I expected.
By J. Guy Muse
This is my first book by Maya Angelou. It was a quick read (one afternoon in about 3 hours) and I enjoyed the story of her relationship with her mother. Angelou's mother is a very colorful character and is what makes this book so interesting. I have only really ever just heard about Maya Angelou and it was very interesting to me to read about her life which was very different than what I thought it was. The only problem I had with the book was that I felt there were large gaps in the story- she seemed to just jump from one thing to another and I would have to re-read to figure out if she was changing subjects, or jumping to another moment in time, or what. It wasn't quite what I was expecting. I think I was expecting something a little more in depth. However, it was an enjoyable read. I will now look to read her "I Know Why The Caged Bird Sings" because I've been reading about how much better it is than this. Linda Muse

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Baking with whole-grain flours used to be about making food that was good for you, not food that necessarily tasted good, too. But Kim Boyce truly has reinvented the wheel with this collection of 75 recipes that feature 12 different kinds of whole-grain flours, from amaranth to teff, proving that whole-grain baking is more about incredible flavors and textures than anything else.   When Boyce, a former pastry chef at Spago and Campanile, left the kitchen to raise a family, she was determined to create delicious cakes, muffins, breads, tarts, and cookies that her kids (and everybody else) would love. She began experimenting with whole-grain flours, and Good to the Grain is the happy result. The cookbook proves that whole-grain baking can be easily done with a pastry chef’s flair. Plus, there’s a chapter on making jams, compotes, and fruit butters with seasonal fruits that help bring out the wonderfully complex flavors of whole-grain flours.

Praise for Good to the Grain:

“Boyce started playing with a variety of flours when she took a break from restaurant kitchens and wrote her first cookbook, Good to the Grain, a whole grains baking bible that won a coveted James Beard Foundation Award this year.”

—O Magazine

• Sales Rank: #407560 in Books
• Published on: 2010-03-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .99" w x 9.00" l, 2.56 pounds
• Binding: Hardcover
• 208 pages

About the Author
Kim Boyce is a former pastry chef (at Spago and Campanile). She lives in Los Angeles with her husband, who is a chef at Spago, and two daughters. While at Campanile, she helped Nancy Silverton with her Sandwich Book (Knopf, 2002) and has cooked alongside chefs like Mario Batali, Claudia Fleming, Lidia Bastianich, Alice Waters, and Anthony Bourdain. She has contributed to Bon Appetit and has been featured in the Los Angeles Times on numerous occasions (both as subject and contributor).

Most helpful customer reviews

533 of 545 people found the following review helpful.
Baking "with" whole grains, but not "of" them
By Alicia
This book is gorgeous, and a great choice for those who are trying to add variety to their baking and sneak in some whole grain goodness. I admit to being disappointed though when I got it and realized that the majority of recipes call for a significant amount of all-purpose white flour. After all the glowing reviews I had hoped that somehow (miraculously!) someone had finally figured out how to make these delicious treats without it. She addresses this head-on at the start of the book and talks about the compromises she's had to make to retain the texture and loft of the baked goods, but I hadn't seen it mentioned in any reviews so I wasn't aware of it when I purchased it online. I'll still enjoy it, and look forward to happily making many of these delicious recipes. I'll just make them less frequently than if they were "of" whole grain rather than "with" whole grain.

104 of 106 people found the following review helpful.
Amazing cookbook, batting 1000 so far.
By M. Curnutt
I am so impressed with this cookbook. I've posted pics of some of the things I've tried out of it so far -- the whole wheat chocolate chip cookies, the Spelt Flour Currant scones and the Sweet Potato Muffins (with buttermilk, yogurt and medjool dates). All 3 recipes I followed pretty much to the T, and all 3 came out just fantastic. Really, really good stuff. I can't wait to try more of these recipes. It is so fun to work with the different flours, and apparently Kim put a whole lot of care and precision into making sure that each of these recipes works just right. I'm very, very happy with this purchase and can wholeheartedly recommend this cookbook to anyone interested in trying out baking with new types of flour. A+

61 of 66 people found the following review helpful.
Makes you feel like a REAL baker!
By Cottage Wood Hill
I love this book! I just know it's going to change my life. I've never been confident about baking, er, I should say I never was, but I am now. I heard Kim interviewed on the radio and when she was talking about all the different flours it really opened up the whole idea of baking to me. I had no idea there were so many interesting possibilities with all these different grain flours.

I bought two copies of her book and gave one to a baker friend. I've had it two weeks and have made five things: cast-iron flatbread, corn gruyère muffins, cheddar biscuits, sand cookies, and tonight the olive oil bread. All of them have been fantastic. I made the flatbread and asked my boyfriend to make some kind of fajitas with it, and he did and we were in heaven. We took Kim's suggestion on the muffins and he made chili to go with them. A couple of nights ago I made the sand cookies at midnight and making them without a bowl or utensils was like a meditation. Only your hands and it really looked and felt like sand. Was a wonderful experience and would be fun for kids learning how to bake.

Tonight I made the olive oil cake with rosemary and bittersweet chocolate. Was crazy good, like a cross between bread and cake. I really can't stand super sweet things so this was perfect. My housemate, who has tried all of them, said it was the best so far, and she has been raving the whole time. She gave me notice she was moving out before I got the book but said I was making it really hard to leave with all this baking I'm doing! Oh, and I forgot to mention that before I started on the first recipe, I went out and bought all the flours she uses in the book, so I would be prepared. I'm just so excited to keep baking, and to try the next recipe. She is really creative and has clearly put a lot of thought into this book.

I have so much anticipation for each recipe because they are all consistently wonderful. As soon as I finish one, in my mind I say, "Ok, which one will I make next?" I'm possessed with the new desire to bake, and all my friends love it. My only criticism would be that she doesn't mention how many each recipe will serve, but I do love the way she clearly puts out the ingredients and separates them into "wet mix" and "dry mix". I'm totally hooked and can't wait to make ALL the recipes, and then buy her next book!

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Good to the Grain: Baking with Whole-Grain Flours, by Kim Boyce PDF
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• Published on: 1709
• Binding: Paperback

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Recent instances of global crisis reporting on climate change and the financial crisis are early embryos of a new form of journalism that is increasingly needed in global times: global journalism.
Instead of associating global journalism with national comparisons of media systems or defining it as an ethically «corrective» form of journalism, Peter Berglez sets out to develop the idea of global journalism as an epistemological updating of everyday mainstream news media. He theoretically understands and explains global journalism as a concrete practice, which can be applied in research, training, and reporting. He argues that the future of professional news journalism is about leaving behind the dominant national outlook for the sake of a more integrated (global) outlook on society.
Emerging examples of global journalism are analyzed throughout the book alongside the historical background and the challenges it faces.

• Sales Rank: #3236193 in Books
• Published on: 2013-05-31
• Original language: English
• Number of items: 1
• Dimensions: 8.70" h x .60" w x 5.90" l, .57 pounds
• Binding: Paperback
• 156 pages

About the Author
Peter Berglez is Associate Professor of Media and Communications at Örebro University, Sweden. Berglez has published widely in a number of journals including Journalism Studies, Media, Culture & Society, and National Identities.

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More great tunes in the world-class New Real Book format. Along with many standard tunes, Volume 2 features over a dozen each of the best tunes by Chick Corea, John Coltrane and Horace Silver. Like all Sher Music fake books, it features composer-approved transcriptions, easy-to-read calligraphy, and many extras (sample bass lines, chord voicings, drum appendix, etc.) not found in conventional fake books.

• Sales Rank: #817390 in Books
• Brand: Sher Music Company
• Published on: 1991
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x 1.05" w x 9.75" l,
• Binding: Spiral-bound
• 484 pages

Features

• Used Book in Good Condition

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0 of 0 people found the following review helpful.
Five Stars
By John W. Aldrich
Contains excellent chord choices for several "must play" songs, especially "moments Notice".

0 of 1 people found the following review helpful.
Better Changes Found
By Robert E. Adcock
Sher has done a wonderful job of publishing tunes with the correct changes. Original as well as alternate changes are provided in easy to read, full page format. This is a big help for people like myself who have trouble reading small print. The spiral binding of the book allows for easy turning of the pages.

25 of 26 people found the following review helpful.
Finally, a legit copy of the jazz musician's BIBLE!
By Bill M.
From playing in both my high school's and college's jazz ensembles, it was clear to me that "The Real Book" was the bible of jazz standards. No instructor was without a copy. As a bass player, there have been countless times were I was just tossed a photocopy of a page from the Real Book and the instructions of "Here, do a walk over this chord progression."
A number of things made this book the most demanded of its kind. First of all, it contained hundreds and hundreds of jazz songs in a single volume. Second of all, it mostly followed a one-page-per-song format, showing the most essential parts: the chord and structure changes, the introductions, and the melody. If a song seemed to center around something like a particular repeated bass line, then that line was also shown. And last but certainly not least, the type face and unique "hand written" look made it the by far easiest book to physically read (no eye strain!)
Unfortunately, The Real Book was next to impossible to hunt down. No music stores carried it, or at least admitted to carrying it. It was pretty much an under-the-counter item that you could only get if you knew somebody. I guess these $50 books were always secretly copied and bounded in some local guy's basement, in hopes of skirting all the legal copyright issues.
Finally, Sher Music Co. has taken the original Real Book, got copyright clearance from each and every living composer, and in so doing even got to correct many mistakes based off the the composers' very own lead sheets. They also threw in a number of full-page photographs of jazz greats. The result is the only LEGAL, updated, and widely obtainable version of the original underground book.
One of the reviewers here seemed to make the gross assumption that this is a piano book. It's not. It's a book for everybody in the band. The fact that there are C, Bb and Eb versions of the book should tell you this. I've always been amused by "Piano/Vocal" sheet music books for bands that never even had a piano or keyboard player. For rock bands, they usually attempt a bad transcription of the guitar on the treble clef, and an even worse transcription of the bass on the bass cleff (written an octave down, of course).
Which brings me to the reason why this book was always called "The REAL Book": it's because it didn't take the shortcuts that "Fake Books" take. "Fake Books" are called such because they allow you to "fake" the song, i.e. dumb-down some chord changes, play it in a presumably easier key, and usually even try to adapt the whole song to the single instrument of piano.
It's so great to see a legit copy of this book in print. If you play jazz, this is the one book always worth investing in.

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